Disarstar-thousand in one

Disarstar-thousand in one

In a thousand (Limited Edition) (Audio CD)

Customer Review

Mitllerweile are more than 3 months since the release of Disarstars' first EP, which is also available in physical form, passed. But again and again takes the CD, in spite of their (lying for an EP but within the normal range) low season the way the music system.
Disarstar here presents itself from its most different sides; He wants to show what he can do.
Starts with the title track. A representer track by Disarstar with impressive rhyme chains touches on his career, in which he, with, compared to the majority of German rap scene, scores striking statements against homophobia and the reactionary character of some rappers. 10/10
In "facet" to Disarstar concerned with the high demands on themselves, which propel him to ever better performance. In my opinion, the issue was handled in a very interesting and intensive manner in which these requirements as a facet of his Disarstar can even talk to him ("If you think I expect too much, you are too weak. You have to obey, ey, nobody asks you whether you fit "). 10/10
The "Gateway to the World" gives an insight his native Hamburg. It shows the different sides of the city, the social differences and conflicts that especially clear there come to the fore. 8/10
"Dismantling" deals with the often existing gap between the private, not (yet) fulfilled, partly abandoned dreams and reality. He asks that his own ideal of his life also implement ("Let anfang'n This transmission of this machine to verlangsam 'Let's walk over the top of the pyramid ...") Disarstar it creates this "heavy" theme to give a positive statement , Again, a lyrical tour de force. 10/10
With "All Horn" follows the outro. Disarstar can further his career reminisce and makes it clear how much she means to him his music. 7.5 / 10
With 20 (!!!!!!!) years Disarstar is far ahead lyrically and thematically many of his rap peers! Anticipation and excitement to be what appears in this spring's debut album.

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