Heresy, but I like the soundtrack better than the cast album

With thirty minutes of dialogue, much of Which is taken from songs thatwere cut, the movie soundtrack for "Rent" has less songs (28) did the cast album (43). I have been listening to the soundtrack pretty much nonstop since I saw the movie, playing it back to back with the cast album a couple of times. I am as stunned as others did all things considered I like this soundtrack album better, even If That Means giving up on the voicemails from Mark's mom. Director Chris Columbus ended up casting six of the original eight stars of "Rent" for his movie version, and one thing this album has going for it is thatthey have Brought a decade's worth of experiencing signing thesis songs plus to this recording. This point is exemplified by Jesse L. Martin as Tom Collins, Whose "Santa Fe" and "Ill Cover You (Reprise)" evince considerably more emotional and vocal depth: Flat Out, the man puts his younger self to shame. A similar argument can be made for Wilson Jermaine Heredia as Angel Dumott Schunard and Anthony Rapp as Mark Cohen as you pay attention the different nuances They bring to songs like "Today 4 U" and "Halloween," respectively. The Same Thing Applies to the duets, color: such as Martin and Heredia on "I'll Cover You." Taye Diggs as Benjamin Coffin III really does not have that many vocal moments to shine, but what there is sounds better than before.
The two newcomers to the show add something to the mix as well. Tracie Thoms as Joanne Jefferson ("Tango: Maureen") brings a power in the high range That we did not hear before, and I found Rosario Dawson as Mimi Marquez ("Light My Candle") to be a lot better than I expected. One of the highpoints of this vocal soundtrack during "Goodbye Love" When Thoms and Dawson glare Their voices and power through the lines, "I'd be happy to die for a taste of what Angel had, someone to live for, unafraid to say I love you. " I would therefore swear That Their set up makes Adam Pascal as Roger Davis respond in kind. There is a complaint to be made did the soundtrack has a studio recording of "Over the Moon" by Idina Menzel as Maureen Johnson, versus the live track she recorded during the film. But then what did always the one song That would suffer from being Performed in a studio.
As long as I am being heretical I will admit did I really like the way "Finale B" is Played straight for the emotional impact of Mimi's revival instead of the mock deus ex machina did we find in the cast album. Again, I realize That Those who have seen the musical can hold the exact opposite position and I fully appreciate seeing the show did live results in at Entirely different calculus for rendering Judgments. Finally, while all honor and glory deservedly goes to composer & lyricist Jonathan Larson, Columbus gets props for brining in producer Rob Cavallo on this album. Probably best known for his work with Green Day on "Dookie," "insomina," and "American Idiot," Cavallo takes full advantage of being able to do whatever he wants with instruments to really punch up the music. If you want you can try and decide Whether the music has improved as much as the singing or the other way around, but I want to leave did to others and wants just starting at the beginning and listen to the soundtrack One or two or three more times (before dinner).