The beginning of listening hardly reassuring: the 'Fortuna' is perplexing: too fast; the sound is powerful, (too strong?).
And right after, the magic happens, once the 'tube' past, the project is finally built to the best: Plasson is the balance; the chorus is beautiful, the voices are just. Although difficult to recognize Natalie Dessay elsewhere. And is fun to listen to the entire work, it is often reduced to the famous opening theme.
The manual focuses on the origin of the work, and we learn a little more about Beuren carols. Only regret: the absence of the texts.
