Third album by Miles Davis since he ended his temporary retirement. Although the booklet not accurate, it seems that some tracks were recorded in public (especially Come get it). This is an album rather cheerful and more jazz than the previous, although it dates back to the early 70 More exactly, MD has returned to the roots of his music, the blues, in a skin very 80s We find the Low hit Marcus Miller, but also very marked synthesizer sounds of the time, somewhat dated. This is Miles Davis is on keyboards, sometimes along the trumpet, one imagines a keyboard under the fingers of the right hand, the trumpet in the left hand! It is surrounded by two guitarists, as in the heroic times of the electric period, John Scofield and Mike Stern, the second with a more rock than the first; Bill Evans to saxes; Al Foster on drums? Mino Cinelu on percussion and Tom Barney on some tracks, in place of Marcus Miller. Here, Miles confirms, as it has for Miles with the horn, his return to the melodies and the abandonment of hypnotic rhythms and improvisations while azimuth. All compositions of MD and are original. The set appears as a very pleasing album: the pleasure of meeting the great Miles Davis play again, with the same sensitivity and the same jubilation.
