music albums in their originals, without being distracted by the pictures even if I look at before the movie because to make a good film music, it should serve image. Thus no good music without seeing the film - the mandate for the composer is to create music that works for film- and II there is no requirement that the music sounds very lonely. When this is the case, it makes a pleasant experience - the soundtrack of the movie "Mad Max: Fury Road" is one of these cases even if it just ballast. There is a reason why this band has been one of my most anticipated of the year: Tom Holkenborg (aka Junkie XL) has done much good work in recent years and have become accustomed to wait javoue now looking forward its projects. I became aware of its potential through its collaborations and remixes with Hans Zimmer on Batman movies and "Man of Steel." My favorite music is Junkie XL "Paranoia" (listen first it takes to have a first approach, become familiar with his work). "Fury Road" is a symphony délectronique and percussion. In many ways, it is a representation of this film just mark a certain style for the new century. I have great interest for writing modern musical cinema and in particular the use of electronics, but I must admit that sometimes I do miss the memorable themes and classic bands that seem to be increasingly rare. Take for example that Brian May compound for "The Road Warrior"; or sample the music of Maurice Jarre for "Mad Max Beyond Thunderdome.". These are of fairly large classical scores Içi rich enough, in my opinion " Fury Road "Holkenborg partition is not quite as rich as the previous Mad Max ... that it is there that many great moments (of course my favorite pieces are those classic), and so it deserves much credit for this as transition between two generation. On hearing the album "Fury Road" the first time, my mind was called to various existing pieces of music. "Survive" (channel 1) immediately reminded me of the play "Passacaglia - Allegro Moderato" (which was brilliantly used in "Shutter Island" a few years back). Also, I mentioned earlier, collaborations with Hans Zimmer are heard and parts of "Fury Road" very similar at work on a trilogy of The Dark Knight. The soundtrack fits perfectly with the film it accompanies. There is no doubt that given Holkenborg "Fury Road" the kind of music that serves perfectly the post-apocalyptic movie with all kinds of strange vehicles and machinery, all in the deserts of désert0 . Once you see the movie, your music appreciation will likely increase. So all in all, I recommend this album even though it is much more talking with the images well that it remains perfectly pleasant although sometimes Longué Decouter the album alone.
NOTE: I am a big fan of CD, but in this case, the MP3 version of "Deluxe" is seems more advisable - it includes several tracks as well as increased 9 bonus tracks. The MP3 album lasts over 2 hours of music and I think that it corresponds to check-full
