It is far time of Goremageddon, too compact and brutal for my taste, to finally make the perfect distinguish between violence and gender characteristics of a dominant melody at any time abandoning the pure savagery and dirty aspect of the production.
"Carrion", opening the album, kind of ambient and sickly interlude is some sort a perfect introducer to the new orientation before the return to the barbarism of "Ophiolatry was Hemocite Platter" and his voice began almost hardcore .
Then, the securities enchaineront without resembling, the maddening "135" and its parts in tapping amazing, very melodic "Pestiferous Subterfuge" (we would never have thought I heard as a melodic solos at home) however with rhythmic setbacks highly technical or the uncompromising "Avarice of vilification."
"A Murmur In Decrepit Wits" will reveal a more interesting attitude and dark, where the macabre alongside the emetic for a result as successful artistic.
Sure, nothing revolutionary in the proper death scene, but a refresh that is a pleasure to Aborted.