A perfect piece of music

The Swiss ... only Sophie Hunger and then repeatedly Strozzini. At first I was a little confused because "Langstrasse" me Bruce Springsteen was a bit too much, I had to smile about "Mme Laveau". Tom Waits could not have better singing. And then the really big melancholy in zergehenden grief "Concrete", the goosebumps-loaded "When the music's gone" and the bursting before heartbreak "In the end" ... The voice of Tobias Röthlin is second to none. If he switches to "I wanna be your man" of bluesy depths into drönende classic rock Falcette, a heart and the ear goes on. "The Brothel" is circus-real-angle smashed, as once Liza Minelli chose not to make it better in "Welcome to the Cabaret". Before "crack" it is almost capitulate on because the alternative-punk who entgegenbrettert one is almost too much for Strozzini ratios. "Black eye" as Nirvana ballads reminiscence then provides the breather. One can hold anyway that Strozzini did right in the title sequence everything. "Christine" is heard as early as next Schweighöfer / Schweiger-Love Story Strip playing in the background; woody hard Weltschmerz. "Sunday Morning" could have been the new Mumford & Sons-disc, only me here Tobi's voice like better. For Grand Finale still languishing ballad "Hold on lover" and finished the play really big emotion rollercoaster. For the autumn definitely just right - the perfect piece of music.