A recording of a different kind

In 1939 composed Concierto de Aranjuez has its years in existence 70
learn very many successful recordings, highlighted here is the inclusion of Narciso Yepes. Other recordings are from John Williams, Julian Bream
Christopher Parkening etc ...

However, all Classically trained guitarist who had a great deal with
sonic purity and discipline to work went.

Paco de Lucia is a flamenco guitarist, a Gitano and so is also
the Concierto de Aranjuez in its interpretation, a completely different,
exciting, beautiful listening experience.

Unlike this recording is because de Lucia is a flamenco guitarist with his interpretation. This is quite clear in the 2nd sentence, to hear the "Adagio". Paco plays faster, edgier and more fiery than other guitarists.
He whirled in the finals of "Adagio" with several fingers over the strings and knocks while on the body of his guitar.

Possibly
appear this circumstance the lovers of classical recordings to be too coarse, perhaps the classic inclined lovers will also say this Concierto needs no fire, but succeeds Paco de Lucia in this way the very sad mood almost out to "shout" which the listening experience of intensity wins.

For me, an exceptional recording that renewed Paco de Lucia's
musical openness shows. His skills as a guitarist are anyway
sublime.

Rodrigo held this recording for the best, what just confirmed my impression.