A treat for your ears, eyes, head

Finally an album in which the artists have not only been thinking about the songs. Even those who still considered the cover with a shrug, must at least be curious if he pops up the digipack. A booklet with folding instructions ?! At least now begin the little gray cells to work. What is behind Abadon, Agape and Adonai? Why are they so arranged and otherwise? What combinations arise? Does it have a meaning, if "Agape" suddenly has no more heart, instead, a hole? "I FELT A HOLE WHERE I HAD A HEART" - a line from the title "Seven Days of ANAVRIN" - a coincidence ?! If you start again, trying to decipher the numerous puzzles that makes the album so quickly release. But that's not all.

Music is always a matter of taste, I personally find the mix of dark, melancholic (Chris Harms has his cello unpacked) and powerfully to opulent with different rhythms and the many facets in the voice of "The Lord" absolutely varied and succeeded. The whole thing culminates in "Revelation 13:18" - 10:55 min a firework of emotions and very clear terms (herein "ANTANONY" differs markedly from "Fears", I think). This song reminded me of the story of the thorn bird of his most beautiful song sings before he impales himself. At the end of this song the piano passes the following and final title - "REPRISE: SOBER". Absolute purist held - Piano and very emotional, deep and gentle voice of Chris Harms, later the cello - probably not only the end of the album. And anyone who has wondered why when you open the booklets are the beginning and the opposite end, should now recognize a reason the latest.

Those who love this kind of music and wants to commit to a mental challenge and can, for being "ANTAGONY" an absolute must! I take my hat off to imaginary "Lord Of The Lost".