A work full of passion and imagination

It's almost scary, that a man like John Williams always manages, soulful to accentuate the mood of a film, without the programmatic sounds.
Each comes over me a childlike joy, when it comes to listening to a new plant of the Maestro. So naturally happen also the soundtrack to Episode 1, the Star Wars trilogy. The obligatory and we all known main theme, in its entire bandwidth, and sounded like fazinierte and jeh. But then! The piece number 2 should, in my lazy nostalgia herausreissen.Mir boomed at full volume a huge choir entgegegen Me I'm last, was able to experience in his power in Verdi's Requiem. Slowly but surely broke the roar from the choir to slowly but surely into a huge and hectic interplay between choir and orchestra to enden.Immer and again took the fight with the musicians on. In such a majestic passion I had never heard a soundtrack before.
Then, in Track 3, the stark difference. A loving, childlike theme with so much charm and longing for a better life. A strong evidence that it still provides the best theme of all film or classic contemporary composers to write John Williams.
From playful mystical piece 4 to the classic hectic battle scenario in the piece 5, the mood of the film is clearly underscored.
As the exceptionally noteworthy me of very modest beginning Duck and triumphal march to endente piece 7 "The Arrival at Tatooine and the flag parade" appears. Williams almost Olympic-style presents a sporting event, which can also listen separately to the film admirably.
Track number 14, "The droid invasion", deals with a military situation, which with hectic elements in classical wind instruments use the John Williams einhergeht.Sehr exciting and very scary when the dark theme of "Darth Maul" the hustle and bustle of invasion interrupts ,
Last but not least John Williams is still a plan and added the sound to Star Wars a tragic finale in the piece 15. The struggle between good and evil going on here in the decision duck round and ends in a tragic death, which in by 16 piece an almost operatic choral singing, is free after Wagner's Nibelungen, accompanied. A hero's the musically should get his award.
To top it all, the usual conclusion to the Star Wars theme and the theme of the episode 1, eingläutet by vigorous percussion and children's choir of the omitted exudes joy and confidence.
John Williams makes his name again great honor and here delivers a work that will not only make great joy to friends of Star Wars. One can Episode 1 say what you want, the music makes so much unease about the content up for and gives great hope for the soundtrack to Episode. 2