Absolutely phatter Drum & Bass

Aphrodite is known to many as a remixer under the name Urban Takeover (one of her works, a remix of a piece of Kaleef called 'Golden Brown' (yes, that piece of The Stranglers) is one of the ultimate ten Drum & Bass tracks ever!). They practice their own style, recognizable by an extremely phat bassline that I call for lack of a more precise term than 'wobbly'. The types I noticed in 1995 for the first time with your sampler 'Aphrodite Recordings' on. At the time, as a Drum & Bass was always gloomy (Dom & Roland, etc.), you refreshed with D & B for the summer, positive and full of energy.
On 'Aftershock', her second 'studio album' You have an amazing guest list, HipHopper First Class: Big Daddy Kane, Deadly Hunta, Schoolly D (the also the excellent soundtrack of a genius, but unfortunately undervalued film by Abel Ferrara machte- 'New Rose Hotel ', with Christopher Walken and Willem Dafoe, based on a short story by William Gibson!), Miss Bunty, Wildflower. Barrington Levy is attending.
The result is a total seeeeehr well. Tracks like 'Heatwave' and 'Karma Sutra' [sic] are a bit uninspired, this compensation strokes of genius like Ganja Man, Off Limits, Hoochie, Chinois and See Thru It.
People turn on the bass and take the shot in the abdomen, which the beat is literally merciless!