Well, that there is music in which you have to have to classify it does not desire. The comparisons are obvious, the other reviews have discussed it enough, but Liacc may be easier than it is. Hear critical, even improve or analyze great: the album makes such thoughts superfluous and leaves it to the listener whether it may be of Listening or background music as much tension in the compositions, but let them also in periods of non-attention to the listener enough space, to choose the date of re-entry itself. This effect is due to the strong balance of songs that waft usually very quiet and sometimes very slowly (sometimes little more than 60 bpm) and carried across the room. The dynamics are, however, very well exist in Gegensagtz to and so there are moments of intense grooves as well as haunting moments of meditative calm, almost standstill. The irresistible flow of the compositions is but never pierced and the valleys and mountains of the instrumentation give Liacc a fascinating depth and complexity, although the music is never complicated. The grandeur of a Bjorn Riis is no doubt, of a self-representation is this album, however, is miles away.
The weighting of the occupation blended well in the foreground singing falls on. Contrary to what one would expect in the music perhaps, this sounds very dry and is hardly backed by Hall, which has a peculiar effect in the overall concept for the episode, makes the music less meditative and affects the validity accordingly.
