Pi that this is not a Topspitter as Samy and Savas, this quickly becomes clear. Nevertheless, it is evident that here a gratifying normal, humble man on the mic is exactly the considering what he dovetailed there and effortlessly conveys correlations and theories. This is sometimes worth more than the umpteenth flow exchange and double rhyme, especially in the German rap scene in which the protagonists also informed urns, although both do not speak, but they are still up there with the.
As highlights "dissociated precariat" is emerging as "Berlin, Big Love" out, called on the Pi shoutouts to the, the hard-working middle class and good policemen are alike. "That's for the people who are in jail, where the walls are gray, so they think they are almost blind. The chill in jail at her window as the real has become hero of a kitschy gangster movie. The people who are grade parents who make an effort, because they want their kids bequeath a better world. It's for the kids at my farm, which is for the mother at me because she pulls her son on her own. " Far be unreflective Pi relies on "Meene city" with his homeland apart, which two is clear: Berlin dialect can actually be quite funny, and somehow Frank Zander, who takes over the chorus, but a cool Sau. Who digs the guy to sing the incredibly charming Hook, which must be a good one. "And if ick quatsche with Deener cuts, then I kooft the third bottle ne [Kindl]."
Ever seems the prince of the term "home" to be an important issue. In "From & To" with Taktlo $$ example nothing good at present Germany is left. The largest German neck breaker Beat since "Monster Shit" bubbling Taktlo $$ usual grandiose and pointless on Instrumental past: "Basically, the German is a coward, show a foreigner and a fig and he considers it a mutantierte potato!" Subtle it's going forward to "Mr. Claaßen" to a vicious settlement with the staid and stuffy suburban Germany, in which the image of model types mean is drawn, the day helping his neighbors handicapped and maimed people at night.
On the second CD "Lord of things" then Pi raps in a orchestrated soundtrack from Biztram among other one from a distant kingdom with a king, the heir to the throne of his ungrateful done himself. Lauter cross-references to the German rap scene are included, so you should start a chroniclers to the work well, to really find out who it because everything appears there. You can tell the whole of the tremendous work that's inside, the idea is great, the implementation of outstanding. But I ask myself, who Orchesterrap sounds actually more than once about orcs and bird riders.
The bonus CD with Leftovers album production can indeed be neglected safely, cocky Game takeover announcements such as "inventory" and slightly disgusting tracks like "Toward the Light" at least I do not have to give me absolutely. The songs are placed there just solid average commodity which, however, would have no hesitation to pack so many Berliner rapper as a highlight on the album. But that it exists at all, this third CD, you have to Pi credit for. With a total of 59 song on three CDs for the price of one you really get something for the charcoal.
Of course it's a little bold and made deliberately provocative on when Prinz Pi posing in the booklet with a missile stands on the "Say hello to Tokio Hotel". And of course because technically rhyme in which one or more colleagues. And of course, Pi's voice will not be to everyone's case. Despite everything, here we have a coherent, consistent and important album in front of us, in which someone has obviously sat down, something to offer the listeners with the target.
