An example of "less is more"

Due to its success, one would have to actually look at Milow as soulless cogs of the record industry which mercilessly bombarded us with music excretions like there is in spite of oversupply still too few products on the market. Music is much more than just a product that needs to sell it, and this attitude represents Milow also unmistakable. The worst thing about contemporary plate bosses and music producer is the bad habit to devalue valuable work of singer / songwriters by the rough draft, for which one usually no more than an acoustic guitar needed in the final version with all kinds of instruments you überarrangiert, along the lines of "That's entertaining, especially for a live audience. "

Plan refereed! Milow's new album is (not 100%, but mostly) treatment for all those who are fed up of this very commerce oriented thinking and acting. Although the voice of producers in some songs ("We Must Be Crazy", "Against The Tide") could not be ignored completely, so come Milow highly melodic songs but mostly for the golden motto "less is more" in healthy, sparingly instrumented sound robes therefore, especially on the Live CD that is decisive for my 5th star. The acoustically presented unreleased bonus tracks shine through partially extremely dramatic content ("22 Children"), but the audience is "What I A Famous Singer" also brought with the self-deprecating laugh, and not at the beer tent level, but with a again sounded beautiful melodic acoustic ballad.

Milow's question "Why is every day so long, so long?" I would like to rephrase in "Why is every song so strong, so strong?"
Answer: Because Milow only too happy all the leaves out what is not necessary for a first-class song. Less is more. Nevertheless: Not to the standard version of this album, but necessarily to the Deluxe Edition grab because there's more to it!

Grandiose Reinhör tips:
- My Mother's House
- Cowboys Pirates Musketeers
- The Loneliest Girl In The World
- Arms Of A Better Man
- You're Still Alive In My Head