"An interpretation that gets under your skin."

The criticism is very pleased:
"Here Fray explored niches in Schubert's late works that have not been completely unlit, but rather stand in the shadow of the big three last sonatas, especially the G major Sonata D 894. draws Again Fray Schubert's musical basic constitution fine after: as the piece hesitant to be circling itself as it gropes how it tries the outbreak, in turn converts to tonal false starts and collapses all the determination in itself. This provides Fray in all the tears Blessed emotionality is featuring Schubert's music. But he is not about grip very subtly, that's all, and therefore very moving.
With the Hungarian Melody in B Minor Fray intersperses a charming little pearl and then he gets Jacques Rouvier at the piano, the man who has not only trained Fray but Arcadi Volodos and Hélène Grimaud. With it, he plays a secret hit by Schubert, the Fantasy in F minor D 904 for piano duet and the A minor Allegro entitled Lebensstürme and that's in a sense Schubert Pleasures two. "Says the critic Ralf Döring.

Yes, you can hear the introduction to the G major Sonata, happy, an interpretation of the highest level, as in their moments gave us the Pires.

Fray plays certainly not sweet "mushroom-Schubert", but his attack is of utmost Delikatheit..Eine interpretation of the type in which one thinks, otherwise I do not want to hear that.

Enthusiastic.