Two Academy Awards and two Golden Globes, this should suffice for an opinion. Only music Titanic unleashed passions, beginning endless debate, almost "eternal", and enough to feed entire pages. Because it is a monument while holding, holding his huge success thanks to its undeniable quality. James Horner is the unconventional composer par excellence and it stands out again with this partition. Where everyone naturally expected large string serenades like a costume drama - that is a very pompous music - the composer serves us a totally timeless and offbeat music. Absolutely anti-symphony, she opts for the memory. How many people still do not understand that synthetic elements allow us to situate in 1912 and show that the people of that time were like you and me, that is alive. In this way, the synthesized choirs and other resolutely modern sounds make us live in the most natural way (however deliberately manipulative) regretted that the victims of the shipwreck experienced, in real time, without being overbearing. Some Celtic elements logically find their place in the middle of one of the richest scores of the maestro, but again, they are not shot. The six original themes for both simple and complex brewed find themselves in an orchestration that is not less complex and perfectly brilliant. In general, the Titanic music often ill at ease and puts the ghostly voice of Sissel is partly responsible. A modern score that is not marked by time, a perfect score.