ATL Classic

One year after his two albums, Ludacris In 2001, with "Word Of Mouf" his strongest work to date on the market. In addition to a lot of variety you get above all almost always offer grandiose beats, raps about the Luda with his usual cheeky snout on drug use, taking advantage of the female sex, and the other things in life and does not mince his words. In addition to his people by Disturbing Tha Peace Ludacris could undertake some Stars from outside. Among these are, inter alia, Three 6 Mafia, Mystikal, Nate Dogg, Sleepy Brown, Jazze Pha, Jagged Edge or Twista which additionally spice up Luda's amusing Rhymes something and so further enhance the listening pleasure.
Hit single "Rollout (My Business)" should perhaps be one or the other a term. Here falls particularly Timbaland's Beat on who is making excellent for party and unlike his current productions also sounds like hip hop, rather than to pop. "Go 2 Sleep" is a typical Memphis hard banger with some dark elements. This sounds quite by Three 6 Mafia, which actually took place then both behind the mixing console and behind the mic and with Ludacris and DTP guys Fate Wilson and I-20 this board created. Despite a Ludacris are here clearly Juicy J and Crunchy Black Triple Six at the center, but also the others know to please by all means. Calm and relaxed when it comes to "She Said". Overall, a decent track that stands out particularly by the rape of Luda and Fate Wilson, who partially tried here to copy the Rapstyle of Pimp C, which at Fate really works good and you actually think at first glance, the UGK-MC standing at the mic. Funky, groovy without end, damn cool and just a dream for the hearing - this is "Area Codes" best describe. Ludacris is here exactly in his element and tells us where he became "work" hinschickt his girls. Feature Nate Dogg is with his singing the icing, which rounds off the track perfectly. After this really been more than successful song with "growing pains" can be reached probably the highlight of Luda's complete career. A fantastically emotional melody that comes immediately under the skin, coupled with the exceptionally serious verses of Luda and Fate Wilson, to the chorus of Keon Bryce - there is nothing better, especially when you consider that Luda actually only with more cheerful songs celebrated great chart success. A real smash you get with "Move Bitch" hammered on the ears. On Instrumental you hear the producer KLC out immediately which assembled here aggressive New Orleans Bounce elements and also brought along his former protege Mystikal. The song makes for a great atmosphere and a lighted dance floor, which is especially due to Mystikal's great performance, but also the easy hook fueled a powerful. Similarly suitable party shows mega hit "Saturday (Oooh Oooh!)" Together with Dungeon Family Members Sleepy Brown. A stark contrast, the ultra chill "Freaky Thangs", which invites through a very relaxed guitar instrumental and the great mix of Luda's casual and Twista's rapid Rhymes to relax, what by the songs of Atlanta's R'n'B group No ° 1 , Jagged Edge, is perfected. For perfect end of "Word Of Mouf" Ludacris has given us two bonus tracks donated. The first would be "Block Lockdown", again more aggressive song that is years Style and the harsh rape of Luda and I-20 a real catchy tune by freshe synths in the 80s. Then you get even "Welcome To Atlanta" to hear what's represented on Jermaine Dupri's album "Instructions".
In addition to the fully discussed songs can on "Word Of Mouf" really any other track persuade or inspire as well. Especially Swizz Beatz production "Cry Babies (Oh No)" and the expanded "Keep It On The Hush" (feat. Jazze Pha) would still single out. To date, this is by far the best album of Luda and at the same time also an ATL Classic, which is why not only fans of Ludacris, but all Down South listeners, this plate should put on the shelf.