This bullshit compare with "Ave End" is a joke. Where's the hot sound from its predecessor? The stand-alone songs where everyone sounded different? Where is the Langzeithörspaß? Where is the melancholy mood of an entire album, just Rock'n'sad? Where is Christopher's voice over? All Wrong! Instead, you try to copy here Jyrki from the 69 Eyes and Ville Valo, really sad. On "Filthy Notes" almost every song sounds the same.
The female vocals in the opener are unnecessary and out of place as an Easter bunny under the Christmas tree and emphasize further unnecessary the pop touch of this work. Listen After the 3rd time I was able to "My Velvet Little Darkness" no longer bear. The opener to "Ave End" (One Hope's Evening) I've heard at least 100 times - and find him still awesome, just like the whole album.
The upper annoying "Not to stay" for example, one could just as easily imagine on a Bravo-Hits, along with Tokio Hotel and Silvermoon. Also "An Irresistible Fault" I needed to hear further tilt immediately at the latest at the 3rd times.
The only relatively good song on this album is me "Short Glance". The rest is good in the long run not even as background music, but the songs are just too annoying.
My advice to the gentlemen Lacrimas Profundere: Send John Fryer in the desert, not squinting too much on the charts and take the next time the matter into their own hands again, as on "Ave End". Power back music, as we know it from you. Something like "Filthy Notes" I leave anyway in the future are in the store.