Fate, it seems still to my good with Michael Gira. The undisputed master of torture in modern rock music published with his feathered followers To Be Child, the third album in the fourth year of reunification. Postrock flourishing just right magnificently. This has even recognized the time-curious hipster Group and so (but of course not only) rages around the resurgent Swas the moment something like a hype. Michael Gira will be pleased, because he played most of the time with his band at the edge of the commercial insignificance. But now hear and see finally more people. Heavy figure out why just now seems to be paying all the effort, compromise does not make the group anyway. Your plates are still roughly hewn, over hard and disturbing noise Bastilles and their concerts are physically destructive than ever. To Be Kind satisfies one hand, the wishes that each person sets as inclined listener to the Swans, but is yet another update in terms of inventiveness, Wandlungsfähigkeit- and exploration of condition and volume. Allen, the The Seer was actually accessible enough because of his virtues, the romantic gloom and the focused, but never predictable experiment is now faced with an album that shattered mercilessly with the well-known brutality and the grumpy defiance all hopes for a sequel. The almost mandatory two hours of play use Gira & Co where they condense their enucleated from noise rock noise symphonies with disturbing sound collages from the mass-produced laughter or tortured horses neighing, nachzuhören in "Just A Little Boy" or the almost 35 minutes Bring The Sun / Toussaint L'Ouverture. Who is this, who can experience Be Kind much pleasure to the rest of To. But you have to come to this realization only once. Could listen a second time it might even be enough. To be kind ... Michael Gira but has just humor.