Nungut, the rest of the soundtrack is indeed long enough, almost too long for auditioning. For music to hard. A lot. Rarely, there are places where you can really enjoy the music, many pieces are simply uninteresting, the instrumentation is little here (David Arnold has not even orchestrated let alone conduct), which is a pity because the James Bond typical chromatic motif and the basic theme in general give but her much as a musical work basis. By that I mean not only that the theme song could have been built more frequently, but the listener simply lack a structure where it can be based. Some new designs are really beautiful, but a big musical bow is braced in very few cases. Much sounds the same and very insignificant and little experiment. The music could have been in any other x-arbitrary thriller / action movie, it would not be noticed.
The only bright spots are Title 1 (African Rundown), Title 4 (Blunt instrument), Title 10 (Aston Montenegro), which are all real earwigs and worthy almost alone are to be part of Soundtrackes. The ballads like the penultimate title (The bitch is dead) are a welcome change in the is approached with fine allusions to the subject matter of the film. Another plus point is the consistently phenomenal sound quality that convince with rich bass and powerful central and circular upper voices. From the beginning to the end.
