It is already well on the cover, on which both forward to a color Caricatures (toll marked of Marc Buchner!) Contrary to laugh. The inside of the hinged cover including booklet are also illustrated lovingly.
The pictures were taken on August 21, 2014 during an appearance on the widely known about Franken addition Bamberger Sandkerwa at Green Dog Fountain, in a small alley below the New Residence at the Cathedral Square. Therefore it was obvious to title the disc Green Dog Serenade.
As with her first work, the premise was to one hand the well-known models as closely as possible, on the other hand to enrich these works with their own ideas. This is almost a balancing act the same. How often do we hear of famous bands namely cover versions, where there is a just dread and you weghört prefer.
I take it first: Because it was fun scary to deal with the choice of music, I want to take every title under the microscope. Direct entry with Desperado, a song of the Super Eagles, is a small moment of glory. Maybe I'm biased because I am fascinated by this song for a long time. But how to deal with it, the musicians, make the title to their own concerns, commands respect. Uwe Gaash sings with a wonderful devotion. His versatile voice comes into its own. An entry made to measure so that the Eagles would geliked benevolent.
Against All Odds (Take A Look At Me Now) Phil Collins is known as a dramatic Love Opus from the film Against All Odds. My suspicion lay down quickly, because there was a goosebumps song from it. Singing and gentle instrumental accompaniment turned it into a great version.
After Eyes of Blue by Paul Carrack followed by another challenge I Started a Joke of the Bee Gees. Here you have the voice of the unforgettable Robin Gibb in the ear, who died in 2012 much too early. Can this go on? It works. I readily admit that my skepticism was largely unfounded. It has been generated simply a different version.
Who does not know since Nights In White Satin The Moody Blues? Voices in the Sky here sounds fresh, not as sweet as the original, thus gaining added points.
When yearning Room with a View by Tony Carey with the flute colored Introduction including guitar accompaniment there was certainly a lot of couples listening spellbound in front of the stage in the Green Dog Fountain.
The deceased also 2012 Scott McKenzie would certainly have his thumb held at the flower power anthem San Francisco. How far is also here the arrangement at its finest. I mention on this occasion like that Uwe Gaash mastered the English texts without an accent.
After Dust in the Wind with beautiful vocal phrasing is another challenge announces. Barry Gibb of the Bee Gees, whose acoustic feature is in addition to his falsetto voice and a distinctive timbre, now stands with Words on the program. A precious tearjerker, as designated Uwe Gaash at the concert. So a song you naturally in the ear and now expects a small letdown and pricks up his ears. Far from it, because Uwe Gaash can, albeit in a slightly lower pitch.
After Mrs. Robinson by Simon & Garfunkel with a completely newly composed Introduction also Waldi Bauers choir singing performance came good effect.
Rocking it is at Whiskey in the Jar by Thin Lizzy, to the gorgeous ballad Fields of Gold is voiced by former Police musician Sting. After harmonica introduction comes from this song a special charm. For on-the-tongue-melt-let.
Beatles songs such as The Long and Winding Road, Hey Jew and Yesterday dive very often on the repertoire of Old fire, even if it is always a big gamble to take on these titans of music. Venture succeeded, I can tell.
However, I wanted to do only short Imagine me because I very linking this song with the death of John Lennon. The reader senses that here my Beatles soul put his foot down.
Now even stood as final Summertime by Gershwin on the program. The song is available in almost countless versions and you want it actually hardly hear. I could not believe what was beaming as in six and a half minutes from the speakers hardly. An absolute highlight of the CD with jazzy furious harmonica improvisations and stimmakrobatischen deposits, which accounted for nearly speechless. Everything carried on a warm spherical Keyboard cloud that Waldi Bauer created soulful.
It became a really recommendable live production of two congenial musicians. As can be read in the booklet, you've just selected pieces where the audience noise was at its lowest. But that would not bother me in the least. Thus one expects at a live recording.
Yes, the laughter of Uwe Gaash and Waldi Bauer is mounted to come back again on Cover and Inlet ...
