Quite so clear is also not about where the boundary between mixtape and album is taken to mean the industry average former is indeed a popular way to keep talking without having to plan elaborate distribution channels also Banks Fantasea went in 2012 a similar path. The was then already the preference of the New Yorker brat for bratzigen Electroclash by The Prodigy (Out Of Space) to hear, a passion which she remains true even on the new record. With Heavy Metal And Reflective, BBD and Young Rapunxel to find three of these high pitched Technorapheulern, all asskickin and adrenaline pumped up by the collar. That she is not confined to the mere BumBum, is one of the strengths of the album. Banks can alongside the usual parampampampam and their rusty vocals a number of fine and unexpected sounds heard.
Fetter radio with Brass and Latino Rhymes for example, Gimme A Chance, Jazz Tunes versus breakbeats in crisp Desperado, the collaboration with the New York star producer Theophilus London JFK pumps for clubs in the world and in Wallace compete massive drums with cunningly hidden Klezmer clocks. Less well (in addition to the somewhat staid cover design) then, however, that the last quarter of the plate so abundant thin fails - the residual affects from hard ample fade, Nude Beach A-Go-Go even downright misplaced. It would thus have harmed nothing to end the proud best-of rounds of the last two years by Title Ten. Seis drum, it stays that way a decent album, its reputation as a highly talented, big-mouthed rounder should not hurt at least. mapambulo: blog