Busta Rhymes as strong as ever

After Busta Rhymes had left his old label Elektra towards J.Records, also changed his style. Previously, he was known for his fast and loopy rape, everything seems a little more mature and deliberate, but this is not a bad thing. On The Contrary. It helped Busta's angeknaxter career back on the jumps. Accounted had of course the producers to stars like Dr. Dre, Pete Rock, J.Dilla, Neptunes, Battlecat or Just Blaze, who attended with her strong, varied and powerful beats for a lot of fresh air. "Genesis" starts really well with "Everybody Rise Again", the sequel to "Everybody Rise", which is represented on his '98 album "ELE". The beat of Just Blaze is hard and has just the right power so that it is easy for Bus-A-Bus to take a hit from it. Even better, there is even harder "As I Come Back". During the verses the Neptunes Instrumental acts very oriental, in contrast Hook sat mystical and sinister noises, which sound really great in combination with Busta's aggressive performance. Being single should each "Pass The Courvoisier Part 2" know with Pharrell and P. Diddy. This is on the Special Edition of "Genesis". Here there is the first part, on the Diddy also is. The beat of Nottz is the purest sound fireworks, a club track first class. Fast, hard and dynamic pumps Instrumental about Busta and even P. Diddy, who usually delivers hardly a good idea, perfect rapping while complement fine. Unfortunately, this second part of the rather trendy not say because Diddy here can convince not one bit, and therefore more annoying instead of helping. At least as well known as "Pass The Courvoisier Part 2" is the produced by Dr. Dre breaker "Break Ya Neck". Again, the Producer has powerful flat out and a madness Party / Club Smash conjured for Busta, which lacks just really good. An unusually soft side presents Busta Rhymes with "Wife In Law". Here Busta raps about a quiet and warm R'n'B Instrumental, but somehow that does not really fit his style, but this is ironed out of the grand chorus of singers Jaheim again. Finally, I would like, a real bass monster is to "Make It Hurt", which suggests as the name, which comes from the hands of J.Dilla (RIP). The genius of Detroit tinkered a beat that is incredibly forward, which is due to the speed, but also on the hardness and aggressiveness. Busta is also here at its best and spittet grandiose Rhymes that blend perfectly with the production. Overall, "Genesis" an album that mainly hard Banger was having. Due to the many producers will neither drab nor boring. Other strong tracks were "Shut 'Em Down 2002", "We Got What You Want", "Truck Volume", "Holla", "What It Is" (feat. Kelis) and "There's Only One" (feat. Mary J. Blige), which like every fan of Busta Rhymes under warranty. Of course weaker songs, but the fall due to the freshness and good quality of the above is not particularly significant. Unfortunately followed "Genesis" with "It Is not Safe No More" just a good album, which is why anyone who plays with the idea to get yourself a plate of Bus-A-Bus, It is best to access here.