The laurels were big, as big are the names of features. With Ludacris, 8Ball & MJG, Bun B., 2 Chainz and Devin the Dude he has some Southern Playas in the luggage, but only partially bring their A-game. I look at the cover and listen to the first two tracks, I believe in a new version of Outkast-style, all the changes but then abruptly. "Money on the Floor" is a typical Pimp track, by pulling on the 8Ball & MJG also their boots, the beat is really good. Unfortunately the track with Luda but extremely boring, because a lot more would have gone, I think he is too slow. It is striking that KRIT, probably no longer wants to use the BIG, places great emphasis on variety. So there are a lot of tracks that are very reminiscent of Country and songs of Nappy Roots. Super is the thing with Anthony Hamilton, where he has demonstrated with a sample of the Commodores ("Say Yeah") right taste. Even the chilly track "If I Fall" with Melanie Fiona is very soulful, as "Rich Dad, Poor Dad", a song of grants in KRIT's soul life insight.
The contrary, we have unfortunately also as total failures "Yeah dats me", a track that was probably made for the "Pull Your Pants Down Strip Club", no text, no ideas. Here he has incidentally sampled "Across 110th Street" by Bobby Womack, but you rarely hear out ... at the end then again a number with Country BBKing ("Praying Man") and we are already through. I consider the album 3.5 stars, but rather 3 than 4 unfortunately. I see here a lot of growth potential, particularly in the beats that could not convince me. Talented he is definitely, varied and well versed with good flow. Everything which I think is missing is something permanent, even if one or the other track already going in the right direction!
