Cheer

Emile Haynie is a famous producer. And he has many friends. At some point he must have decided for themselves that it would be delightful, for these friends to use not only in the background, the regulator, and then to put his name under the liner notes better it would be, he would write the songs and could the others sing. If you listen to the debut album of the man from the North American town Buffalo, then you may even recognize first that the idea was not bad. Haynie has his name actually made in the hip-hop community and worked with the likes of Ghostface Killah, Eminem, Raekwon, Kanye West and Ice Cube, for We Fall he is now but another way, trying rather to the compositions to approach the familiar repertoire of his circle of friends. And therein lies the crux of the album unfortunately.

Because of each of being beaten guest stars, be they Rufus Wainwright, Lykke Li, Lana del Rey or Randy Newman, there are a lot of songs the same blank, which is famous for its own sheets and love for and of Emile Haynie then comes only expectable in continuation opulent, staged. Of course, there are all pretty arrangements, Little Ballerina has the pop-pathetic melting, Wait For Life, the essential wickedness and Come Find Me the dark umflohrte coolness of his protagonists. How much more exciting it would have been, Wainwright, del Rey or Lykke Li times to lure in new territory, they expected of something that they might lead to their limits and the listener could open up a new image. With A Kiss Goodbye him already succeed with Charlotte Gainsbourg, and Devonte Hynes Sampha quite tidy, here creates Haynie times at reduced a less overloaded soundscape, trippy sounds unfortunately remains such a surprise the exception. He will still be in the coming weeks and months on everyone's lips, finally, the man struggles just on the third album by Adele for continuing his solo career but would like to strongly recommend him to a little more courage. mapambulo: blog