Of course there is more than just Autoreferentielles: "Love Is Lost" has precisely the same sounding by angeschickertem robot DIOUU effect on the snare, like most "low" pieces, as song but much less catatonic and oppressive. Rather urgent, almost imploringly, insistent with this organ. The chorus comes exactly one time (Breaking Glass, ick Listen to trapsen), and he is very wonderful with his disillusioned statements ". Wave goodbye to the life without pain" - One is constantly inclined to keep something for autobiographical and to wonder how a trutschige "Frau im Spiegel" -Matrone whether's him 10 years after his heart attack actually goes well. The title track is certainly TOTAL BOWIE ESK as zusammengepanscht from "Beauty & the Beast and" Scary Monsters ". It is believed that at any moment is Robert Fripp (or was it Adrian Belew? I confuse 'the ever ...) and through the door plays one of his garbled Solos Bowie's house guitarist Gerry Leonard got clear instructions definitely Unfortunately, the song loses before the first chorus to broadcast "Here I am / Not quite dying" And again:.... Does he mean himself Sounds? as if it were exhausting.
Very different Where Are We Now ?, the first single that made Bowie's return to a quasi-epiphanic event. Although memory and past time here have heard Weight, Bowie sounds heavier, almost disembodied. He still has this vocal register that he can draw, showed him popular. When you hear the Heat SCOTT WALKER-influence. Bowie sings as if he were his own shadow. I dont know who I am, and it sounds so sad, so lost and empty as we could cast a glance on the torn, battered by panic and paranoia personality behind the masks 1000 and Personae desräusperROCK chameleons. I am ashamed of the use of this compound word, that would not exist without Bowie, but the longing UNDERSTAND, she's strong. And like Bowie has staged his last perhaps stay on the planet until now, with this Berlin-allusions and everything that seems so much OFFER. But Bowie was not Bowie when we do not end up alone again but could with all our questions and needs to meet and contact.
But then he is not with such obvious shill estates arrive like the fade-out of You Feel So Lonely You Could Die (a played a little too far behind with static Ride Zweckgemeinschaft of All The Young Dudes and Rocknroll Suicide) mounted drum patterns also Five Years. Nothing against the typical Bowie-Saxophones in Boss Of Me. Do not mind that I have to think about this Big Brother [1974]. But such obvious self-citations have him always equal what senile, and that hurts. Much rather a feverish-waving hair rock song like The Stars Are Out Tonight. Although device places the suspicion of being a China Girl update, however, is so pointed is great!
And no rule without an exception: one of 4 reasons why the Hello Steve Reich Mix By James Murphy For The DFA of Love Is Lost is the essential reason for buying this square cardboard box: The Ashes To Ashes quote, with us this stunning version at 6 : 23 final that failed in the full body shave hair can stick out at right angles! The other reasons: 1. The turn out shelling out an applause cloud handclap loop that Steve-Reich-moment of the tracks; 2. the turn only Chorus, mitt piece mounted in the mentioned and for this purpose has come back again Gossip Atmo and ent-grooving, so that insiders might ans intro of Changes remembers feeling; and 3. This heavy 70s disco funk beat, takes over the helm from the half of the more than ten minutes and exploit the song smoothly even a level higher raufpusht !! This is so stellar that I can hardly believe it. Remix, oh what, Song of the Year !!
But the other three gifts (not to mention a DVD with 4 clips) have their qualities: In Atomica is drummer Zachary Alford has to share with a stupid Bums beat the room. Bowie sings Lets get this show on the road. An ironic themselves into words falling text on stereotypical rock star decadence and -Selbstbezogenheit. Not bad for someone who has it all a hundred times through. And yet still able to write such great songs like Informer. The long years of silence like The Next Day can seem initially decoupled from the rest of Bowie catalog, but it can be to make easily and looks great despite anti-artwork in the series. It's one of the better and the best that he could do. All right, it is also a worthy statement in front of the final disappearance. Definitely the best Bowie album since IchweißnichtwelcheBowiePlattedieletzterichtigGutewar.
