Demo and wonders

Well, I will not venture to yet another review for this album, but only talking about this remastering and its bonus CD. So first of all this "The Wall" I got out of thirty six different media (I exaggerate only). Vinyl (beautiful double album I ever, with its crackling yellowed and his wallet), cassette (which my car radio swallowed and spat out in a last breath that it was fatal) and then CDs, and again in CD (EMI remastered 94). So I know the nooks and crannies and I always take pleasure in listening. I had read many reviews (and disappointments) on this re-release in 2012, remastered by James Guthrie (strange, no one talks about Bob Ezrin since this remastering). While talking about "his". There has been remastering: the most significant differences are in the suppression of the breath (it was hardly noticeable originally) or gain in dynamics (this was done in 94) but a slight improvement spatialization of sound (the remaster 94 is a tad below) and a work on top psychics, who are here less aggressive, but it's still very slight. Do not torture yourself, if you listen to it in your car on an old Tokai, you will not see the difference. We can congratulate EMI that has not succumbed to the fashion of the hyper-loudnessisation or mega-compression which young people are fans (we "did" not sound the same in 1979 and today it ' rightly so). So speak now of this third demo CD. We know that the Wall is the work of Roger Waters and imagine the artist plagued by his demons and his delusions blacken the pages and pages, to give life to this concept album. So here we find a succession of small pieces and / or demo (more or less dirty in sound) of the entire album which curiously takes a very Progressive color ... and it must be very overpowering the confess. Some securities or purified non-orchestrated are nice, but soon we landed it because the comparison with the original is inevitable. The only real pieces that could be called "Bonus Tracks" (thus unreleased) are too poor to attention ("Sexual Revolution"). The demo of "Young Lust" in a pinch (singing Gilmour is nice and very inspired guitar). In conclusion one can play at frightening by saying that if the album had been so, it would probably forgotten today. It is therefore understood there, the importance of the work of the group and engi-producers (and yes, y'avais well with Ezrin Guthrie). Finally, I know some people grind their teeth about the strength of the new packaging of this edition, but I find it very successful for me. And the booklet of more than 30 pages is great.