Ju Gatta kick it uanz, ju Gatta kick it twais, ju Gatta kick it Sri taims, bäibi kick it wait ...

Not since Dieter Bohlen, we know that a commercial artist is right in the end the success.
So blows you look briefly like a bubble fish to earn a couple of bucks, it comes naturally no longer important that / whether the Samaritans has also just something to do with art or claim.
Already clear: perceives a large enough number of people to a song as so good that it is willing to pay for money you have - at least from an economic perspective - everything right.

However, I rub me strong because it comes more and more on it, somehow - virtually every means and even the Argentinas misconduct is legitimate - to make money, rather than simply to restrain, if that's what you can deliver, is underground, that intentionally seeks virtually to the musical philistinism, to operate this.

"Bow! (You gotta kick it)", a cross embarrassing title to the German translation the interpreter certainly is nowhere near able to cover the entire range from to bullshit. That a text in a "dance floor" track is beside the point, it is already clear - and so I have no prob.
Had the inflated until all pain borders campy thing but not least to the "Ti-Eitsch" learn? That would be what would have been: just watch time - even if you do not deserve it equal more money - that are located halfway trouble with something ...
Selbstverständlcih also beat and "Tune" from behind last rod, the 1990's, a thousand times over and over again since the beginning pulled by the computer and yet so corrosive, that you get the cold Kotzen listening.