Éllaborré with top musicos (drums and bass notament) there emerges a further share poetry with such musical writing.
Certainly, we have known more JONASZ poet in his texts (I think live in the town hall), but all stands perfectly and still succeed to touch us.
The musical quality is illustrated as in the instruments sobriety (few: bass, batery, keyboard hammond) in their "matitude".
Finally comes back the Groove JONASZ (Lafontaine, old style and even Modern hotel), finally returns us JONASZ Gravity (just a breath of fresh air), then a true Bluesman JONASZ.
Incidentally, it is one of the few to link the poetry of a text to that of musical expression in France. I also return to the perfect Kingdom to the Kingdom in the sense that prolongs this.