With Gloria Estefan together can intone not only ballads ... the woman has (had) definitely more fire.
The general election of collaborators on this album is a bit too high and matched by the compatibility ago in my opinion on their level of awareness.
The omnipresent and strong inflationary Pitbull Pitbull is simple and makes a bad verhackstückelten Oye Como Va not a highlight, just because he brings teenagers and housewives to mid 40 for dancing.
The use of Romero Santos might also like Julio Iglesias faction and Yo Soy la Luz does not fit so really the style of the album ... of such material could knit an album Senor Carlos that brings him a few jazz musicians as a lover back.
Amor and La Flaca Correspondido would fit well on a Eros Ramazzotti album ... but then sung by him.
The rest is quite well after my Geschmackt. All arrangements on the album are for themselves, as well as the recording quality, beyond any doubt. Stop unfortunately just be a bit flat for another Santana Pop Album of the modern era, as has been well tried here with all his might the following Supernatural and Shaman. , , only without the inspiration and ideas with which he made the two pop predecessor mandatory in every good music collection.
In my own (fairly extensive) Best Of Santana Collection is currently managed following titles: Mal Bicho, Iron Lion Zion, Indy and Feel It Coming Back. Am looking forward how long does which title it there.
