Bassey's killer voice meets Barry Killer Sound

For many, "Goldfinger" as a film and song remains the epitome of James Bond and you have to admit alone Shirley Bassey Reibeisengesang, together with the trombone, which repeatedly emerges in the title song, the song sounds like a 007-Fanfare the timeless class.
With Bond No. 3 as well as film and music style has been perfected.
John Barry meets perfectly the character of the bond today is: The preference for fine hotels with "Into Miami", the relaxed at his style with "Alpine Drive" when he comfortably Goldfinger but pursued course voltage eg with "Oddjobs pressing engagement" , in the super of the title song is again interwoven instrumental.
The total score is the tense atmosphere that already "From Russia With Love" was coined, in every way, but acts Barrys music here is a corner precious, which is the subject of the film very reasonable, orchestral multi-faceted, dynamic and bass-heavy by the frequent use Music massive and unmistakable. This applies both to the exciting, but also action-packed pieces.
Great for fans is that on the "Remasterd Edition" and the track "Golden Girl", "Death of Tilly", "The Laser Beam" and "Pussy Galores Flying Circus" are included, the front only at the 1992 Double CD "The Best of James Bond 30th Anniversary" were to have on CD. The only thing missing is now only in 1964 eingesungene of the singer Anthony Newley version of "Goldfinger". Anyone who has heard this song once, will know, however, that ultimately sung by Shirley Bassey version even more appreciated because the Newley version is simply atrocious.