The central theme of the 4th album of the singer-songwriter, therefore, the meaning of home and the magic of the place where it has its roots in the principle. Scott has implemented these personal thoughts in his own home studio in tones. If Mr. Matthews wishes to give his feelings particular emphasis, he slides into a falsetto waidwundes from or amplify this effect still by gentle tremolo. This is similar to the method that Jeff Buckley has applied to give his songs emotional depth. Otherwise, the introverted bard with a sad but firm voice that can ever remember in their sensitivity to Thom Yorke from Radiohead sings. Stylistically, it moves in the dark gray, thoughtful folk environment without being traditional. He is a serious composer who seems to have intensively studied the works of Nick Drake and Joni Mitchell and it has drawn its own conclusions from it for his art. In implementing it is sensitive enough not to bother with plagiarism and understands what it takes if you want to write soulful songs to be upright and intense. His pieces are fitted with aesthetic accompaniments, giving them a chamber musical dignity.
Matthews will never whiny despite the presence of pathos. He maintains the tension between vulnerability and confidence and therefore ensures that his creations not sink into melancholy. The arrangements and melodies are designed delicate and prepare a varied, ornate listening. Among the many melancholy songwriters of the bard takes account of its sophisticated structures a special position. Home Part 1 has become a peaceful, gentle, well-balanced album with brilliant songs and many exquisite instrumental tidbits. Hopefully we do not have to wait as long for Home Part 2.