The problem of other bands, namely the passage of time to throw another similar Albem on the market is, in this case, one of the strengths of "Threshold". The style is so distinctive namely that too many experiments simply could bring so special about this music in danger. Basically white of inclined fan, what awaits him on a new album T. ..... and he enjoys it. Subtle variation and barely noticeable progression are associated with each new output. This time I mainly falls on something sharp-sounding vocals of Mr. Wilson. At first I even asked me whether there was indeed a new singer of the party. Otherwise, we have almost familiar song structures and sounds, so that even without the distinctive voice and the typical Threshold Choirs, the band would be immediately apparent. Would not the guitars offer also typical distorted metal sound, this album could run smoothly under "melodic rock". The legendary and often contradictory Used Category "progressive metal" fits here basically because Threshold sound just very own. Would the same songs just a little reduced in the sound, you would only listen to good legal Pop Art-elements. The depth here is actually the sound in the form of billowing Keys, droning guitars and even the opulent polyphonic vocals. There is a clear trend towards "verse-bridge-chorus-verse-bridge-chorus-solo-chorus .......", without having intricate rhythms or extreme expressions in the song to throw great around. However, I must say that this record took me back under her spell and almost kitschy Thresholdsound simply forces you to listen. Progressive or not, repeat offenders or not, metal or not, it's fun to listen to. Not the full star because I could partly imagine anything more exciting song structures well and personally would like to see even a Ausreisseralbum that makes it harder one.