A studio has a different way, as a recording of a performance. This recording makes these options to use. The slight haze on background noise is absent, the recording works by the immediate. Piano passages in the total votes are zoomed quasi acoustically. The piano is expressed above all in the timbre and the general scheme, less in volume. In the polyphony the individual voices and texts are to follow remarkably well. (For example, the Count calls for Marcellina in the finale of the 2nd act.) The orchestral sound is brilliant. Here are some phrases that will end in another shooting in the overall sound, so well worked out that I at times felt to rediscover the work. The improvising fortepiano and the decorations in the vocals do the rest, the inclusion of all previously belonged to withdraw. The elaborate design of the packaging makes this CD an eye-catcher in the CD rack - if they, just two centimeters higher, fits as a normal CD cases.