Who can believe that in the twenty-second century surprisingly grounded sounding believers have on a space station had no alarm systems which they participate during a more than six-hour show, the babies and infants, warning of a fatal collision? The fact that the daughter of the chief shepherd of the Orthodox community loses her heart to one of the rescuers in no time, certainly seems understandable. That there this but otherwise has been made, he's safe return ticket in favor of the foreseeable joint destruction sacrifices in spontaneously inflamed passion that the guru-father the developing relationship tolerated indulgent that despite selection by Christian social criteria after the first rescue operation toddlers on the sinking ship remain, however, sounds arg implausible. So much for the content of weaknesses that may be due in part to the template and the advance should not be misappropriated as marginal Mäkelei. Very convincing and the series Embassy, identifying man-made problems far into the future, however, once again by way of example in accordance with: to bring together the space junk disaster, the inability of the human species common forces to rescue individuals, the courage of individuals these same forces in one's own life to provide hazardous use the test. Absolutely outstanding as with all radio plays of the series: the implementation. More than once in all respects: book, speaker, Sound Design, Music, Director. Whoever manages as authentic and differentiated acoustically implement a highly dramatic scene as the last in the lock that the listener under the main plotline can pursue a wealth of simultaneous Details effortlessly - many people in fear of death in different rooms, permanent shelling, injuries and first aid measures - which reveals the strength of the genre radio play at the highest level, away from all experimental eccentricities. This unique performance is of course all parties owed that have been recognized in many reviews of the series in different ways. First and foremost, but it is thanks to those who all this together as a driving force, composers and polish workers to the present work of art: Balthasar von Weymarn and Jochim Redeker.
