Fireworks 1

It's been the first originality of the author's story: a poisoner, then, and no higher bid in violence despite the morbid side of the plot. A story in any suggestions, various emotions and inspiration. A narrative that sétire through long chapters, far from the current fashion of "more this is shorter, this is good." Instead, Lebel takes time to build his plot, to create an atmosphere and have fun with us, without quaucune length dawn never comes.

If this novel stand out, this is also thanks to the pen of the author. A rich writing, far from a basic "subject-verb-complement". And then there is this humor everywhere, with verbal jousting itself pleasurable.

Some passages are, as such, real fireworks. "Oh Lebel blue, red Lebel Oh!" The explosions high in color, the type to stick you big smiles and push you to read the passages again, just for fun.

And if there are such powerful characters, dune and dune actual true width depth. A captain (Mehrlicht whose name rhymes with Maastricht, but whose mental borders are paradoxically enough tight, especially at room modernity) and quite memorable assistants (ah, this way Quà one of them quoted from memory the articles of the penal code anything and everything). Atypical and highly addictive characters, human and touching (even when they show bad character).

Day of the Dead is a real true fiction and entertainment, it nempêche that Nicolas Lebel also samuse dehorning through some of our current society, whether in the media or even politics. When we add his remarks on the behavior of humans in meeting certain passages are downright cold in the back. Another dimension of the story that accentuates its depth.

Day of the Dead admirably proves that the French thriller is alive, thanks to such quality dune texts. For that, I awarded him the red Lebel.