Some find it sloppy or that scenario would be a "whodunit". Who is it? A mysterious new kind of donut? It's true that the story and dialogues feel slightly outdated perfume Agatha Christie but hey, you're at Blake & Mortimer and not Lanfeust Troy. If we can regret here is a clear lack of exoticism (justified by an editorial alternation law), I personally loved the atmosphere Old England, smelling cigar and whiskey (Bowmore, the name of a Lord here is also a very good single malt Islay).
Having used the character of Lawrence of Arabia gives depth to the story, too bad for credibility. The humor is also very present: one of the villains called Lawless, the director of the asylum Silly and the fourth is named Lord Brett (five Lairds) .Abel Mias, bearded and bespectacled character in Juillard After the rain made a occurrence board 13 box 4. wicked Radius again: I would most preferred bleeding, without the white pilgrim of Guinea Pig poor.
Before starting the graphical chapter, I found that the paper was very beautiful and the ink smelled good, slightly woody (I'm addicted to BD odor inks, the most catchy ones being flexible Lucky Luke Dupuis period).
André Juillard told that he sometimes had difficulty identifying the expression of Mortimer, but perhaps is it coquetry? The designs are gorgeous, some sets even remember those executed by Jacobs for Hergé in the forties (full circle). The winter atmosphere is very well restored (have you noticed that this comic is very noisy, some paw !, a barely wroarr a neigh! Shy, snow absorbs sound, is known). The colors of Madeleine Demille are very successful, both sweet and contrasted, great art!
Special mention also to the beautiful car designs, although the color of the beautiful and clear Morgan is a firefighter too orange, dammit!
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