The Rode Micro I use on a Canon 7D for two reasons: 1. the unavoidable noise of the camera caused by fiddling the camera body and 2. wind noise when shooting outdoors have annoyed me. By great suspension of Rode microdot 1 was completely dissolved and (using the "dead cat" that I have ordered) and step 2. However, ensure that everything works as you would imagine that, you have to play with the settings of the input level: -10dB For noisy environments, for example, inn, music event. 0dB for the standard; should always be the starting point. + 20dB for quieter sounds. Caution: here it can sometimes come to overdrive! However, this is not a problem of the camera of the Rode Mik! Since the camera but diligently mitregelt, a Try is mandatory to get a feel for the amplitude. With ambient noise reinforce rather less and get closer ... Fortunately, however, the micro is very low noise what-if in quiet passages, the camera will adjust sensitivity hochregelt- very positive effect makes. Compared with the stereo microphone by Rode Although the controls are also available but fiddly, because I would have liked the switch from stereo Rode Mic. Both mics have a great sound, the stereo Rode even attenuates even more sounds from the rear, which is positive. Nevertheless, I decided for Rode VideoMic Pro, since it is significantly smaller and lighter and the stereo imaging was then not so important to me. Because of fiddly switch I deducted a star.