Hamburg School and quite peculiar

The reviewer who thinks the star who "depend on the schrummelstyle Tocotronic" want to seem to have heard me another CD. Because of the style of the stars is less rocky, smoother, more homogeneous than that of (early) Tocotronic. The mere ohrschmeichlerische Hammond organ would be difficult to accommodate in songs like "You want to tell us." What you prefer it, is another question. I like them both.
But while the music of the later albums remain at a similar level, the texts of the high hit rate of Poznan reach noncontiguous (me terribly: "Big in Berlin").

The lyrics here are probably fewer observations, but they are too far from a documentary realism.
But they are also no confessions of the star (maybe a difference to Tocotronic?), But rather as a kind of monologues or isolated statements that represent different approaches, attitudes (especially: risk biography, theme stores, What did you just so ruined, Trrrmmer, manipulated 'the connection). This 'Poznan' Load not necessarily to identify (for example, the chef like motzende or schnöselig and besserwisserisch acting prompted to connect or the final, politically incorrect verse of "islands").
Provocative, playful end in itself? A document of cynical nihilism of the 90? Ideological critique? Definitely a bit of everything.