He has never been better, either before or since

Although Westlife from a commercial perspective only decades later his career highlight was - purely qualitative he had him already in the late seventies ... and that with this album, which does not have a single weak song (and let's face it: Marius has an occasional weakness for weak songs). No, here everything is right, the mix of humor and emotion. The Firecracker "with 18" and the title song go off like a suppository. The Homo-ballad "Giselher" and the drunkard ballad "All in the Wind" put everything in the slipstream of what Marius has previously made on ballads. It's a shame that someone so early was so good and has then gradually degraded.