then it would probably sound like the sound of Kylie Minogue on the "Abbey Road Sessions". Intricate arrangements transform former Disco anthems like "All The Lovers", "Better The Devil You Know" or "Can not Get You Out Of My Head" in glittering soundscapes that get from Kylie's bell-clear voice the finishing touches. Occasionally pull in this dramatic elaborate oeuvre some clouds over the crystal clear sky, as if in "Confide In Me" somber tones are chipped or Nick Cave vocal counterpoint in the well-known, but as yet unheard murder ballad "Where The Wild Roses Grow" sets , But soon the shine magical soundscapes of Miss Minogue again in bright light when it states with lascivious melancholy "Finer Feelings", "Slow" or the new song "Flower". One flaw is the album but then - it is too short. There would have been room for at least four more songs. How about, for example, the Japanese and Australian Bonus Tracks "In Your Arms" and "Wow" was, EMI?
