In both cycles, superheroes are allegories of the main features of the North American identity: Captain America personifies patriotism and pioneering individualism, Iron Man militarism and capitalism, Spiderman immaturity, credulity confusing to much of the electorate traumatized by September 11 etc ...
With this axiom, screenwriter Mark Millard, book to denounce the rule of the Bush years and its main mischief: the Patriot Act, pure negation of the most élementaires civil rights.
Hence the civil war between the legalistic party led by Iron Man, passed to the federal government orders for a fee ..., clan commanded by Captain America deeply attached to the original values of the American nation: individualism and free will .
The fights are there just as much physical and psychological, remarkably put in image and text.
Anything goes reality TV at the Guantanamo prison. Just be parallel to those who can read between the lines.
The aim is more subtle than discover, over the album, a different reality - too - is a denunciation of implaccable opacity highest American political and economic spheres.
A major work which amply deserves such an ambitious film adaptation that the Dark Knight or The Watchmen, to bring the Avengers into adulthood.
"This is the place to finesse That insight, let him calculate the number of the Beast is a figure of a man: his number is 666". Apocalypse of Saint John 13-18.
