My personal favorite is the second piece "La Joie". I can listen to for hours as Loop.
La Vision: Kling at the beginning a little after that, as if the record would be turned upside down. Only the fact that this is a CD that lets the listener inclined in this respect left in the chair remain. Quickly a look around, if the cat's going well, and then anxiously waiting for improvement ... rightly: after about 1 minute then starts a cozy, not uninteresting chill-out music à la TD, the ear for pains suffered the first minute to apologize.
La Joie: starts right nicely chilled and has a melancholy side, which easily comes only good in certain moods. With the right ear at his sides and the right concentration that is really worth this track, you can experience as the hot flushes back up and down plowing. Imagine a use for Entré contemplative hours.
La Force du Courage: Overall nice and slow, but with a regular rhythm in the background, forcing the leg, sometimes mitzuwippen. A nice saxophone (or let us assume that it is a) in the second half seasons the quiet flow of sounds, such as the sweet and sour sauce the chicken nuggets at McDonalds.
La Solitude dans lŽEspoir: This piece starts very quiet and contemplative. A melancholic piano, trying to slowly bring in a cheerful mood light, accompanied by a low-key synthesizer - like a good friend - the piano does not steal the show. Towards the middle of the play, it is rather the reverse occurs and the synthesizer to the fore, bringing with a neat drum effect which is almost something powerful the piece. At the end we will drive back a little quieter and the piano must again waving goodbye.
La Marche: Here the listener is once more aware that the roots of TD uA are in Klaus Schulze. It is very reminiscent of his plays the "old days", in which he spartan-purist from a few shades designed a plate-filling event. Nevertheless, the synthesizer tries to give the impression that TD understands his own style with bring in.
La Sagesse Du Destin: It starts in the lounge-style 90s and brings a pleasant mood with him, with many ups and downs, what the play does not make a whole uninteresting - as background music at least is absolutely legitimate. The last three minutes then run though the same theme, but are stylistically newly accentuated by the two friends "piano" and "Synthesizer".
Le Combat You Sang: It remains at a mediocre mishmash of Synthesizergeleier, initially fairly quiet, and later rushed and the end of a soothing outro.
Le Combat des Epee: The longest piece of this CD plows left, almost cheerful without special highlights by the runtime. As usual, the last third is used to give the listener the opportunity the hectic heart palpitations, which occurs in the course of the piece, to get rid of and to get into the right mood for the next piece.
La Libération: the completion of the CD brings a consistent and serene self-piece, in which the saxophone again tweeting goodbye at the end. If you imagine this song before, if the views of the sunset can rest in a deserted, clean sandy beach and again revuepassiert the day, you might as well the easy pathos that resonates here - and by the way, a little like Jean-Michel Jarre's "Industrial Revolution" recalls - abgewinnen a certain aspect of life with the idea that we freed the night of the day ...
