What surprised me most is the speed (others prefer speed) certain tempos: musically, Vivaldi does not characterized by either excessive speed or by outrageous moves. It is the same voice that it seems unnecessary to accelerate the "Stabat matater dolorosa" or "Quis est homo" Scholl probably the version that accompanies me for almost 20 years she resonates in my ears too ? It is true that in his previous opus dedicated to Cristian Johann Bach, Caldara or Porpora, Philippe Jaroussky had no competitor could appear brilliant. It is different in that Vivaldi opus where competition is fierce.
We pass on the DVD that does nothing neither the knowledge nor that of Vivaldi Vivaldi song: the beautiful journey of a pretty boy and kind through Venice.
A jarousskien opus that one would classify indisputable place among the failures but never among the memorable achievements of the discography. For fans and admirers of the beautiful and nice against-tenor?
