Action:
The sea and the coast fit the Famous Five as chalk and cheese. So it must not be the contemplative Kirrin and the rocky island, which act as a venue of an entertaining radio play. Also Cornwall wave rich coast, residence of Uncle Quentin's cousin Scarlett and her family, offers enough space for adventure and provides the backdrop is a varied radio play also treats "Five friends on the path of the coast smugglers" youth justice an important issue. The resistance to antibiotics , caused by an unhealthy, unnatural diet of animals. This hint of social criticism is already "green" natural radio drama series to shame and in recent episodes, it has the radio play increasingly set out to put his finger in social wounds. By the way clarify their audience about the difference between organic food and otherwise food on the Famous Five. That Julian and Dick are driven out to the open sea, indented as almost in the background, but is mainly from a technical perspective narrative valuable. On the one hand gets a touch voltage introduced into the manufacture, on the other hand, this results in two storylines. Together narrator Lutz Mackensy the audience jumps from the nervous seeking girls down to the times of panic, then hopeful boys who are making their way back to Cornwall. This ensures variety. The Landstreichertum on secluded coastal roads, the ripoffs of other protagonists and the typical peace-joy-pancake-finals provide the ideal setting to do so. At the beginning is a bit long-winded "Five friends on the path of the coast smugglers" after a few minutes a fast reaching and convincing example of how the "Famous Five" still set social accents and can entertain youth justice and understandable at the same time.
Speaker:
Routinely it comes to at the speakers. Striking is the voice of Udo Schenk, the "Famous Five on the path of the coast smugglers" a doctor in einspricht. So he is finally not the culprit in a radio play and he proves that his serious intonation nevertheless fits perfectly the role. Compared to its patients, the young Luka (voiced by Malon Stahlhut), he is open and acts appropriately. Malon Stahlhuts performance drops somewhat. His wines if the pain ends here and there abruptly to later use for a few seconds again. Moreover, it does not sound very authentic. This is the end, however, the only major downer and forgivable given the age of the speaker. With Antje Otterson (as Cousin Scarlett) and Martin jumper (as Scarlett's husband Norman) found producer Heikedine Körting and colleagues sympathetic voices for the young couple. The other supporting roles are well staffed. These include the casual surf instructor David (voiced by Patrick Bach), the steadfast Constable Jones (voiced by Michael Bideller) and be subdued colleague Constable Brixton (voiced by Wolf Frass), the bony, even persuaded peasant Gibson (voiced by Klaus Dittmann) and the In addition to other speakers whose Takes prepare audio pleasure. The main spokesman Ivo Möller (Julian) and Jannik end man (as Dick) are in demand in this 110th episode a little more, the panicky moments they know but also appealing implement. Also like Theresa Underberg (Anne) and Alexandra Garcia (George), who also undergo an emotional chaos, but never overdo it and thus come across very lifelike.
Music and effects:
It may be wrong, but the music of the recording studio EUROPA, the "Famous Five on the path of the coast smugglers" brought to bear in appear again leaning closer to the first episodes of the radio play. The music tracks fit anyway very consistent in the adventure atmosphere and conduct the scenes gallantly into each other. The so estimated adventure atmosphere germinate in this way to actually. With regard to the effects, there is also little reason to complain. Whistling Wind, glittering sea water, rumbling motor boats and the barking dog Timmy provide the familiar feel-scenes. Sonically the studio Although Europe is now slightly behind the radio play top flight back (see, for example, the sound scenes of the radio drama series "Mark Brandis' with this one), but still the sound layer is sufficient to support the contents appropriately.
Conclusion:
Author Katrin McClean manages with her abenteur- as varied script for "The Famous Five on the path of the coast smugglers" the basis for an entertaining radio play from the house EUROPE. The two-pronged narrative perspective and the socially critical aspect paired with an appealing soundtrack by music and a largely fits occupied spokesman Cast create a 55-minute listening. From this variety "Famous Five" -Hörspiele one wishes like more in the future!
