Klaus has Harranth can give a hasty appointment of Professor Sigmund Freud and confesses to him there, that he has his old, dying father murdered, dismembered and put into a chest. Because of its now predominant guilt he turns to Freud, in the hope that he might this help in eliminating those. As an argument for Freud to help him, he carries the gun with him, with whom he has already shot his father.
An extremely sexy talk, which takes place this time on the Freudian couch and accompanied not without some risk, because Harranth threatened more than once so, Freud to shoot in cold blood, he was unable to help him.
After Anna, Freud's daughter, gets wind of the special interview, agreed the policeman Karl Gruber. While Freud indoors psychoanalysis dedicated, superior both out what they should undertake.
An exciting despite the quiet narrative style story that Heiko Martens has written here. A striking stylistic device of the script is the use of flashbacks, by which the past of the killer is taken piece by piece more closely.
The scenario is again very different from in the first episode, which is ever a clear indication that you can not simply just works according to the book, but also reflects on how to make fullest the potential of this new series as diverse as possible. This is also evident in the dialogue that goes well beyond the superficial level of many other serials. And only the highlights this new series already produced very pleasant.
The stylistic device of dialogue between the ego, superego, and it takes place in Freud's head once again use, but rather on the edge and occupies a dominant position within anything but this radio play.
In conclusion, there again, however this time shorter scientific comment on the subject of Dr. Salwa Meier, who is already very special. An appendix to the problems I have personally can do without.
The used music excellently placed reflects the full extent of emotions with which one is confronted. This bespoke orchestra musical style is again a real gem succeeded. In the quality of love should be more radio plays accompanied.
Hans Peter Hall and Wanja Mues wax are clearly the dominant speaker of this radio play. One could almost speak of a 'psychological duel' that the two pull here. There are, in turn, Andreas Fröhlich, Felicitas Woll, Nicolas Artajo and hear Cathleen Gawlich. And the rest of supporting roles is condemned strongly occupied. I wish to highlight here especially once David Wittmann, the Klaus Harranth talks within the flashbacks.
Conclusion: The series proves its versatility and complexity. An exciting Szenerio despite a very quiet narrative tempo. Excellent staged with orchestra music of the Berlin Film Orchestra and perfectly interpreted by renowned speakers. So it must go further.
