It is again square and something dunkelbunt

After the rather catchy and melodic emphasized last two albums "Circus" and "Welcome to the club", MIA return from the creative break with "Tacheles" square back again. Again square because they were already there at the beginning, because the next two to lay quite a stylistic break between the first two albums "Slash and stab-proof" and "Chinese Whispers". And as with the appearance of "Circus" irreconcilable were some fans of the first hour the then new course on melody and electro-pop, are now probably some that have been attentive only to the "dance of molecules" in MIA (and the sales figures by goods probably the most luxuriant many) have to grope in the new album only.
Touch not you, because it's worth it!

Now to speak of a symbiosis of the two previous phases MIA, it's not quite true, but indicates the direction. "Tacheles" heralds the next era, although it may still be the stamp "electro-pop" pressed, but the guitars creak back more and not every song will be nachgesungen immediately. It has sharper contours, contrast and leaves abruptly suddenly silent clearances to. This is the first hearing, although less pleasing at first, but bolder and more interesting in the long run. Some songs go on first hearing ear cross and jostle on the way to the brain section for favorite songs, some standing around listening habits overboard. "Tacheles" is bulky with pleasing and coarser than its two predecessors.

Lyrically Kitty is on an even broader field go. The brat jumping course, still by's colorful field of possible and impossible in life and does not take anything too seriously, that's what makes now even from their charm, the one either loves or loves (and some perhaps do not like so much because her neat gray be attacked by color feels), but cryptically comes with this record a new depth to a trace of melancholy in "Brittle Ice" for example, the inking album dunkelbunt. If he and the band and the album really well. Also "Rien ne va plus" is lyrically dark, even though the music defiantly against braces and thus generates a tension between text and music. When overloaded with violin ballad that number would probably weggeglitscht, so she combines sadness, defiance and consolation to a single feeling.

The album is good fun and challenges, it dances, thinks and feels. Since the need for hair fades looking to swimming definitely in the soup.