At the beginning let me say that I would never have bought the album, if not a particular song would have been on it. I heard him on a origin-unknown-tape and was immediately fascinated, although I at this point rather to Busta Rhymes, Limp Bizkit (ie veeeery long ago;) status) and similar jokes. The joke is, the search lasted more than a year, but it was worth it: Even the clock tears every listener like a soothing ticking clock in his spell, melancholisiert that just yet carefree mood and lets the white wall or triste objects become the focal point of attention. For this purpose a beaten in unison acoustic guitar, which need to know just 3 chords. At the latest when using the piano and singing, one the indescribable beauty of this song is aware. It whispers in the mood of an enormous self-sacrifice, the pain and fears of the singer to a loved one, the already long no longer listening ... "over" is probably the most sensitive song that I've ever heard. The real highlights are always looking for the chorus, when the singer repeatedly lonely begins in regressive Erinnerungsschwelgerei front, crawls from the beklemmenten reality to dream. In short, I bought the whole album. And I am not disappointed. It begins with an absolutely worth listening opener that the advertised song inferior in sadness in almost nothing. Then first a brief slump, because the true beautiful again quiet, but a bit spacey electronic-sounding song "Green Night" is a bit strange. Song 1 and 4 are the top of the front wheel. Only with "Over" Here we go again and would not be as absolutely elektropoppige "infinite love song", the CD would continuously die literally in the last two beautiful songs. Because they are beautiful, thanks to the in the top pitches gently puff ends and incredibly unerring Kopfstimme Hecker to die.