"Bloodfire was hate" begins as wutschnaubendes mantra and grows from the ultra brutal Fetzer, tremendously typical of Soulfly, but also for Sepultura. a great number (morbid angels david vincent guest appearances as a singer). "Unleash" increases the hardness still teetering between modern nu-metal sounds and spacey breaks squealing. "Paranoia" is then a harcorenummer, punk, but also dull repetitive, which is attractive in the interplay with the ultra-fast guitar solos or the doomy circuit. "Warmageddon" begins with war drums, it wächselt an evil, creeping groove as if Black Sabbath and Slayer together record a piece, and it again a great classical thrash metal masher. and so it goes then, to the Sudanese folk musicians and the obligatory instrumental nearing the very end.
about the quality of the album is among journalists and fans quarreled violently. it is ultra brutal, this time much closer to the classic thrash as the nu metal, the ethno-influences are there, but not dominant. its appeal relates this album Contrast of monotonous thrash grooves and surprising breaks, quote again from the doom of death to all conceivable styles.
Max Cavalera may have already delivered more subtle work, the sheer power of this album, however, impressed immensely.
