I'm afraid to bring the wrath of fans of Alan Moore, but I will not say enough about From Hell, despite all the qualities that others have taken care to emphasize. For BD casual readers who do not know Alan Moore, this album may be particularly difficult to address. Beyond the story of Jack the Ripper, this album is a new variation of dark moods and despair of its author - in a more dense version than usual; the Tower of London, in the first part of the album, and is absolutely endless, and this is only the beginning. To summarize, From Hell is a real keypad - can be the first block of comics - and as any good pavement, some will find it a little heavy ...
